Courte biographie de Andy Goldberg

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Tous les spectacles mis en scène par Andy Goldberg

001 Bomb-itty of Errors (The) (Original)
Joué durant  6 mois 1 semaine - Bleecker Steet Theatre (Broadway (Off) - Etats-Unis)

216 représentations 

Première preview: dim 12 décembre 1999
Première: dimanche 12 décembre 1999
Dernière: dim 18 juin 2000


Metteur en scène:
Andy Goldberg •  
Chorégraphe:
 
Avec:

Jordan Allen-Dutton, Red Dragon, G.Q., Gruff 

Commentaire:

  

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002 Bomb-itty of Errors (The) (Original London)
Joué durant  2 mois - Ambassadors Theatre (Londres - Angleterre)

Première preview: jeu 24 avril 2003
Première: mercredi 07 mai 2003
Dernière: sam 12 juillet 2003


Metteur en scène:
Andy Goldberg •  
Chorégraphe:
 
Avec:

'ranney', Joe Hernandez-Kolski, Chris Edwards, Charles Anthony Burks and DJ Kevin Shand 

Commentaire:

Notes: This was a hip-hop version of Shakespeare’“Comedy of Errors”, aimed at the MTV generation. A set of twins are separated at birth and put up for adoption when their father is arrested for drug-dealing, and their story is told in rhyming couplets against a background of hip-hop and rap. With a DJ and just four men - the Bomb-Itty Boys - playing all the roles, bouncing in and out of frocks and wigs to play every part, and keeping close to the original plot with much wit, slapstick and inventiveness, its infectious energy and entertainment value earned it excellent notices.  (plus) 

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003 Bomb-itty of Errors (The) ()
Joué durant  2 mois - Ambassadors Theatre (Londres - Angleterre)

Première preview: jeu 24 avril 2003
Première: mercredi 07 mai 2003
Dernière: sam 12 juillet 2003


Metteur en scène:
Andy Goldberg •  
Chorégraphe:
 
Avec:

Ranney, Joe Hernandez-Kolski, Chris Edwards, Charles Anthony Burks, Kevin Shand (DJ and composer) 

Commentaire:

  

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004 Daddy Cool (Original)   
Joué durant  4 mois 4 semaines - Shaftesbury Theatre (Londres - Angleterre)

172 représentations 

Première preview: mar 15 août 2006
Première: jeudi 21 septembre 2006
Dernière: sam 17 février 2007


Metteur en scène:
Andy Goldberg •  
Chorégraphe:
Sean Cheesman •  
Avec:

Cast: Dwyane Wint (Sunny), Hope Augustus (Grandma Ella), Melanie La Barrie (Pearl), Camilla Beeput (Rose), Michelle Collins (Ma Baker), Emmanuel Sonubi (Johnny Cool), Harvey, Donovan F. Blackwood, Davie Fairbanks, Javine 

Commentaire:

Daddy Cool was a compilation of songs by Boney M and other Frank Farian produced artists with the songs adapted to fit into an Anglo-Caribbean love-story somewhat indebted to the gangland rivalry of “West Side Story”. The show had a troubled start: the announced opening in May was postponed to enable “more creative time”, and it finally opened four months later, with previews from August 15th. Following mixed notices, it ran for nearly five months, closing on 17th February 2007.  (plus) 

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005 Daddy Cool (Revival)
Joué durant   - Boney M Theaterpalast (Berlin - Allemagne)

Première preview: jeu 26 avril 2007
Première: jeudi 26 avril 2007
Dernière: Inconnu


Metteur en scène:
Andy Goldberg •  
Chorégraphe:
Sean Cheesman •  
Avec:

 

Commentaire:

  

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006 Macbeth (Revival)
Joué durant  2 mois 3 semaines - Ethel Barrymore Theatre (Broadway - Etats-Unis)

  12 previews & 73 représentations 

Première preview: dim 07 avril 2013
Première: dimanche 21 avril 2013
Dernière: dim 14 juillet 2013


Metteur en scène:
Andy Goldberg • John Tiffany •  
Chorégraphe:
 
Avec:

Alan Cumming (Macbeth and all other roles), Jenny Sterlin (Hospital Doctor) and Brendan Titley (Hospital Orderly) 

Commentaire:

The Shakespearean tragedy in the mind of a lone patient in a clinical room deep within a psych ward. Driven by ambition, Macbeth's struggle for the crown takes him from war hero to base murderer. As madness descends his fated journey unravels with bloody consequences.

The action is set in a clinical room deep within a dark psychiatric hospital. Cumming is the lone patient, reliving the infamous story and inhabiting each role himself. Closed circuit television cameras watch the patient's every move as the walls of the psychiatric ward come to life in a visually stunning multi-media theatrical experience of Shakespeare's notorious tale of desire, ambition and the supernatural. As the play opens, the harsh lighting snaps on to reveal a man looking dazed and disoriented as two nurses remove his disheveled clothing and help him into hospital garb. His clothes are sealed into brown paper bags with the ominous word “evidence” stamped upon them. His demeanor is meek and subservient, but bloody slash marks on his pale flesh suggest that this fellow has perpetrated (or been the victim of) some bloody deeds that have left his mind shattered and prey to tormenting fantasies. “When shall we three meet again?” he asks in a tone of frightened urgency as his stoic caretakers depart. This, the first line of the play’s text, spoken by one of the witches, unleashes the dark fury of Shakespeare’s tragedy, as one by one the characters take possession of this disturbed fellow, who flits manically around the green-tiled room as he snaps from one persona to the next, suggesting a swarm of bats let loose in a confined space…  (plus) 

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Tous les spectacles chorégraphiés par Andy Goldberg

 

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