This epic production covers three decades in the life of the Marryott family and their servants, starting in 1900 and ending on New Year’s Eve, 1929. The family is caught up in such events as the Relief of Mafeking, the death of Queen Victoria, the sinking of the Titanic and World War I. Popular songs of at the time of each event were interwoven into the score, which also included original music by Noel Coward.
Génèse du musical
Coward began researching the project while appearing in the Broadway production of Private Lives, finding inspiration in back issues of The Illustrated London News he had brought to New York City with him expressly for that purpose. He also drew on his personal memories for many of the twenty-two scenes in the three-act play.
After returning to London, Coward continued to work on the play. Knowing the size and scope of the project would require as large a venue as possible, he and designer Gladys Calthrop inspected Theatre Royal, Drury Lane and found it to be ideal due to the depth of the stage, the width and height of the proscenium, the various lighting and flying effects that could be achieved, and the six hydraulic lifts that could be utilized to move scenery easily. While Calthrop began the task of designing hundreds of costumes and dozens of sets, Coward worked on the script, which he completed in August 1931. Rehearsals began the following month.
With four hundred cast and crew members involved in the production, Coward divided the crowd into groups of twenty and assigned each a leader. Because remembering individual names would be impossible, everyone was given a color and number for easy identification, thus allowing Coward to direct "#7 red" to cross downstage and shake hands with "#15 yellow and black." Extras were encouraged to create their own bits of stage business, as long as it didn't draw focus from the primary action of the scene.
Cavalcade premiered on 13 October 1931, starring Mary Clare and Edward Sinclair as the Marryot parents and featuring John Mills, Binnie Barnes, Una O'Connor, Moya Nugent, Arthur Macrae, Irene Brown and Maidie Andrews in supporting roles. Despite a brief delay caused by a mechanical problem early in the first act, the performance was a strong success, and the play went on to become one of the year's biggest West End hits, running for 405 performances. The play closed in September 1932.
Opening just prior to the British General Election, the play's strongly patriotic themes were credited by the Conservative Party for helping them secure a large percentage of the middle class votes, despite the fact Coward had conceived the project a full year before the election was held, and the playwright strenuously denied having any motivation to influence its outcome. King George V and Queen Mary attended the performance on election night and received Coward in the Royal Box during the second interval.
Owing to the size and sheer cost of production, Cavalcade has not been staged on the scale of its original production. The few revivals have trimmed a number of the more spectacular scenes, in particular the finale with its multiple lighting and sound effects depicting industrial and social chaos.
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Versions majeures de Cavalcade
This revival had started at Bromley and was part of an extensive UK tour. In each city the basic professional cast of 15 people would be augmented by hundreds of local amateurs and a large number of children, with several teams of children in each venue because of licensing restrictions. It required an extremely complex system of rehearsals dealing with the ever-changing cast of supernumaries. The Sadler’s Wells production used 275 extras.En savoir plus sur cette version
Mais aussi, quelques versions régionales ou mineures, ... de Cavalcade
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