Généralités: Histoire, thèmes et particularités


Chicago, années 20, "une histoire de meurtre, de cupidité, de corruption, de violence, de manipulation, d'adultère et de trahison". Le meurtre, c'est le moyen qu'ont choisi les héroïnes, Roxie Hart et Velma Kelly, pour accéder à la célébrité dans un monde où tuer est un art. La corruption, c'est ce qui caractérise Mama Morton, la gardienne de la prison où sont enfermées les héroïnes, même si elle préfère appeler son système la "réciprocité". La manipulation, c'est l'instrument préféré de Billy Flynn, la star des avocats que se disputent les meurtrières. Par son charisme et son éloquence, ce manipulateur-né séduit habilement ses clientes, déstabilise les témoins, hypnotise les journalistes et les jurés. L'adultère, la cupidité et la trahison sont autant de mobiles du crime, de sujets d'articles à sensation… ce sont aussi autant d'actes que subit passivement Amos, mari de Roxie, symbole du " pauvre type " qui ne maîtrise aucun événement. Quant à la violence, c'est celle des personnages et de leurs actes mais aussi celle des mots de cette comédie musicale subversive.

Synopsis complet

Quelques commentaires

Chicago est créée en 1975. La malchance veut que cette même année voit la naissance de la comédie musicale A Chorus Line dont le succès sans précédent fait de l'ombre à Chicago qui connaît cependant plus qu'un succès d'estime avec près de 900 représentations. Après une reprise dans un théâtre londonien en 1979, il faut attendre 1996 pour que le producteur et metteur en scène Walter Bobbie décide de remonter ce spectacle. Cette fois, le succès est au rendez-vous : Chicago fait un tabac à Broadway (six Tony Awards) puis à Londres en 1997 avec, dans les rôles principaux, Ruthie Henshall et Ute Lemper.
Depuis ce triomphe de 1996, il était question d'une adaptation cinématographique. Après un projet avorté avec, en tête de distribution, Madonna, Goldie Hawn et John Travolta et plusieurs années de tergiversations ayant vu se succéder les noms de Winona Ryder, Gwyneth Paltrow, Michelle Pfeiffer, Helen Hunt et bien d'autres, le film voit le jour en décembre 2002. La réalisation est confiée à Rob Marshall, dont c'est le premier long-métrage. Dans les rôles principaux, on retrouve Catherine Zeta-Jones (Le Masque de Zorro, Traffic), Rene Zellweger (Bridget Jones), Richard Gere, la prêtresse du hip-hop Queen Latifah. En ce qui concerne la bande-originale, on retrouve les chansons d'origine interprêtés par les acteurs eux-mêmes. En prime, on découvre, pour le générique, une nouvelle composition de Kander et Ebb, « I Move On ».
A un moment où la comédie musicale filmée n'est pas à son apogée, les pronostics concernant le succès public du long-métrage étaient fort mitigés. Et pourtant, quelques jours après sa sortie dans les salles américaines, Chicago se classe en tête du box-office et remporte trois Golden Globes (Meilleure comédie/comédie musicale - Meilleure actrice pour Rene Zellweger et Meilleur acteur pour Richard Gere).


1 Chicago peut-être considéré comme un Top musical


Historique du musical


The musical Chicago is based on a play of the same name by reporter Maurine Dallas Watkins, who was assigned to cover the 1924 trials of murderesses Beulah Annan and Belva Gaertner for the Chicago Tribune.
Annan, the model for the character of Roxie Hart, was 23 when she was accused of the April 3, 1924, murder of Harry Kalstedt. The Tribune reported that Annan played the foxtrot record "Hula Lou" over and over for two hours before calling her husband to say she killed a man who "tried to make love to her". She was found "not guilty" on May 25, 1924. Velma is based on Gaertner, who was a cabaret singer. The body of Walter Law was discovered slumped over the steering wheel of Gaertner's abandoned car on March 12, 1924. Two police officers testified that they had seen a woman getting into the car and shortly thereafter heard gunshots. A bottle of gin and an automatic pistol were found on the floor of the car. Gaertner was acquitted on June 6, 1924. Lawyers William Scott Stewart and W. W. O'Brien were models for a composite character in Chicago, "Billy Flynn."

Watkins' sensational columns documenting these trials proved so popular that she decided to write a play based on them. The show received both popular and critical acclaim and even made it to Broadway in 1926, running for 172 performances. Cecil B. DeMille produced a silent film version, Chicago (1927), starring former Mack Sennett bathing beauty Phyllis Haver as Roxie Hart. It was later remade as Roxie Hart (1942) starring Ginger Rogers; but, in this version, Roxie was accused of murder without having really committed it.

In the 1960s, Gwen Verdon read the play and asked her husband, Bob Fosse, about the possibility of creating a musical adaptation. Fosse approached playwright Watkins numerous times to buy the rights, but she repeatedly declined. In her later years, Watkins had become a born-again Christian and believed her play glamorized a scandalous way of living. However, upon her death in 1969, her estate sold the rights to producer Richard Fryer, Verdon, and Fosse. John Kander and Fred Ebb began work on the musical score, modeling each number on a traditional vaudeville number or a vaudeville performer. This format made explicit the show's comparison between "justice", "show-business", and contemporary society. Ebb and Fosse penned the book of the musical, and Fosse also directed and choreographed.

Génèse du musical

According to Fred Ebb, he wrote the book in a vaudeville style because "the characters were performers. Every musical moment in the show was loosely modeled on someone else: Roxie was Helen Morgan, Velma was Texas Guinan, Billy Flynn was Ted Lewis, Mama Morton was Sophie Tucker." Kander elaborates that the reason the show was called a vaudeville "is because many of the songs we wrote are related to specific performers like those you mentioned, and Eddie Cantor and Bert Williams as well."
It was through the initial production, and not the writing, that many of the "traditional" Chicago staging conventions were developed:
The double snap in "Razzle Dazzle" was added as an afterthought at the suggestion of Fred Ebb to John Kander. Kander explains: "I remember when we wrote "Razzle Dazzle", before we took it in and played it for Bob, you [Ebb] said with absolute confidence 'Try adding a couple of finger snaps to it. Bobby will love that.' We added them...and as soon as he heard the finger snaps, he loved the song." During rehearsals, "Razzle Dazzle" was originally staged as an orgy on the steps of the courthouse. Fosse was talked out of allowing this staging, when Jerry Orbach "convinced him that he was missing the Brechtian subtlety intrinsic in the number."
The original finale was "Loopin' the Loop", a doubles act with Gwen Verdon and Chita Rivera; however, "the scene seemed too much like an amateur act so Fosse asked for something more 'glamorous in pretty gowns'". The piece was cut and replaced with "Nowadays". Sections of "Loopin' the Loop" can still be heard in the Overture.[7] Two other sections termed "Keep It Hot" and "RSVP" were cut from the finale as well.
Another principal character was played by David Rounds and known simply as "The Agent," whose role was to exploit the notoriety of the prisoners for his own gain. He also served as the evening's M.C. This character's role and the song "Ten Percent" was cut, with the character folded into that of Matron Mama Morton, and various members of the chorus shared his emcee duties.
In a reversal of roles, Fosse decided the lyrics to the number "Class" were too offensive and censored Kander and Ebb's original version of the song. One of the original lyrics "Every guy is a snot/Every girl is a twat" was restored for the 2002 movie, although the entire number was cut from the final release of the movie.

Original Broadway production
Chicago: A Musical Vaudeville opened on June 3, 1975 at the 46th Street Theatre, and ran for a total of 936 performances, closing on August 27, 1977. The opening night cast starred Chita Rivera as Velma Kelly, Gwen Verdon as Roxie Hart, Jerry Orbach as Billy Flynn and Barney Martin as Amos Hart. Velma Kelly had been a comparatively minor character in all versions of Chicago prior to the musical rendering. The role was fleshed out to balance Chita Rivera's role opposite Gwen Verdon's Roxie Hart.
The musical received mixed reviews. The Brechtian style of the show, which frequently dropped the fourth wall, made audiences uncomfortable. According to James Leve, "'Chicago' is cynical and subversive, exploiting American cultural mythologies in order to attack American celebrity culture."
The show opened the same year as Michael Bennett's highly successful A Chorus Line, which beat out Chicago in both ticket sales and at the Tony Awards. The show was on the verge of closing, when it ran into another setback: Gwen Verdon had to have surgery on nodes in her throat after inhaling a feather during the show's finale. The producers contemplated closing the show, but Liza Minnelli stepped in and offered to play the role of Roxie Hart in place of Verdon. Her run lasted a month, boosting the show's popularity, and Gwen Verdon recuperated and returned to the show. Later during the run, Ann Reinking, who would go on to star in the highly successful 1996 revival and choreograph that production in the style of Bob Fosse, was also a cast replacement for Roxie Hart during the show's original run.

1979 West End
The first West End, London production opened at the Cambridge Theatre in April 1979 and ran for around 600 performances.[16] It starred Jenny Logan as Velma Kelly and Antonia Ellis as Roxie Hart. Ellis (Actress of the Year in a Musical) and Ben Cross (Actor of the Year in a Musical) were nominated for the Olivier Award for their performances, and the musical was nominated as Musical of the Year.

1996 Broadway revival
City Center Encores! series presented Chicago in May 1996. The series had been previously used exclusively to bring attention to older, more obscure musicals that might have otherwise been forgotten. The production was directed by Walter Bobbie with choreography "in the style of Bob Fosse" by Ann Reinking, who also starred as Roxie Hart. Also in the show was Bebe Neuwirth as Velma Kelly, Joel Grey as Amos Hart and James Naughton as Billy Flynn. Performers were holding scripts and the choreography was sometimes unpolished. The show was well-received, with Howard Kissel, reviewing for the New York Daily News writing that "This 'Chicago' impressed me far more than the original.".[19] Ben Brantley, in his review for The New York Times, wrote " 'Make love to the audience' was another Fosse dictum. That's exactly what Ms. Reinking and her ensemble do. 'Chicago' can still seem glibly cynical and artificially cold, especially in its weaker second act. But these performers know just how to take off the chill." By May 10, 1996, there was talk of a Broadway production: "Down the block, there is a move afoot to move the Encores production of "Chicago" to Broadway. Rocco Landesman said that he and Fran and Barry Weissler wanted to bring the production to the Martin Beck Theater this summer."
Barry and Fran Weissler brought the concert version of Chicago, now titled Chicago: The Musical, directly to Broadway, where it opened on November 14, 1996, with a new script by David Thompson. The show set a record for recovering its initial costs faster than any other musical in history. This is likely due to the stripped down nature of the show: the set is nothing more than a giant bandstand, and the costumes are minimalist and black.
Unlike its predecessor Chicago: A Musical Vaudeville, Chicago: The Musical was met with praise from audiences and critics alike. Society had changed in light of events such as the O. J. Simpson murder case, and audiences were more receptive to the criminal-as-celebrity theme of the show.
Chicago: The Musical won six Tony Awards, more than any other revival in Broadway history until being beat out by South Pacific which won seven, winning for Best Revival of a Musical, Best Leading Actress in a Musical for Bebe Neuwirth, Best Leading Actor in a Musical for James Naughton, Best Lighting Design of a Musical for Ken Billington, Best Director of a Musical for Walter Bobbie and Best Choreography for Ann Reinking. While still married to Verdon, Fosse also romanced Reinking, who eventually took over the role of Roxie when Verdon left the show. Reinking reprised this role in the 1996 revival, when she was 46.
Chicago: The Musical has run for over 5,400 performances as of January 10, 2010 and holds the record for longest-running musical revival on Broadway. Chicago is currently the fourth longest-running Broadway show ever. During its run, the show has played in three Broadway theatres - the Richard Rodgers Theatre (the same theatre where the original 1975 production played, at the time called the 46th Street Theatre), the Shubert Theatre and the Ambassador Theatre. The Grammy Award winning cast recording of the revival was released on January 28, 1997. The show currently features Tony Yazbeck (Billy Flynn), Chris Sullivan (Amos), Carol Woods (Matron "Mama" Morton), Kara DioGuardi (Roxie), and Amra-Faye Wright (Velma). Among the many other performers and celebrities who have appeared in the show during its long run are Usher, Michael C. Hall, Jerry Springer, Brooke Shields, Kevin Richardson, Melora Hardin, Rita Wilson, Melanie Griffith, Taye Diggs, Chandra Wilson, John O'Hurley, Ashlee Simpson, Leigh Zimmerman[25], Samantha Harris, Marilu Henner, Jeff McCarthy, Christie Brinkley, and Sofía Vergara.

1997 London revival
On November 18, 1997, Chicago: The Musical opened in London's West End.[27][28] Like the New York revival, it is directed by Walter Bobbie and designed by John Lee Beatty, with choreography by Ann Reinking in the style of Bob Fosse. The show ran at the Adelphi Theatre for nine years until transferring to the Cambridge Theatre in April 2006.
The original cast of the production included German jazz singer, Ute Lemper as Velma, British actress Ruthie Henshall as Roxie Hart, Nigel Planer as Amos Hart and Henry Goodman as Billy Flynn. The production won the 1998 Olivier Award for Outstanding Musical, and Lemper was awarded Best Actress in a Musical. Both Ute Lemper and Ruthie Henshall have played the role of Velma Kelly on Broadway to great acclaim.
The London production, like its Broadway counterpart, has featured many acclaimed international celebrities and actors in the starring roles. For example, Marti Pellow, David Hasselhoff, John Barrowman, Tony Hadley, Jerry Springer, Kevin Richardson, and Ian Kelsey have all played the role of Billy Flynn since 2002. Maria Friedman, Josefina Gabrielle, Denise Van Outen, Claire Sweeney, Linzi Hateley, Frances Ruffelle, Jennifer Ellison, Jill Halfpenny, Brooke Shields, Sally Ann Triplett, Bonnie Langford, Tina Arena, Ashlee Simpson, Aoife Mulholland, Michelle Williams, and Christie Brinkley have all played Roxie Hart since 1998. Williams was the first African American woman to play the part of Roxie on the West End stage. There is also a professional touring cast of the musical.
The revival closed at the Cambridge Theatre on August 27, 2011 in its 14th year and will re-open at the Garrick Theatre on 7 November 2011, starring America Ferrera as Roxie.



Liste des chansons

Acte I
"All That Jazz" - Velma Kelly and Company
"Funny Honey" - Roxie Hart, Amos Hart and Sergeant Fogarty
"When You're Good to Mama" - Matron "Mama" Morton
"Cell Block Tango" - Velma and the Murdresses
"All I Care About" - Billy Flynn and the Girls
"A Little Bit of Good" - Mary Sunshine
"We Both Reached for the Gun" - Billy, Roxie, Mary and the Reporters
"Roxie" - Roxie and the Boys
"I Can't Do It Alone" - Velma
"My Own Best Friend" - Roxie and Velma

Acte II
"I Know a Girl"- Velma
"Me and My Baby" - Roxie and Company
"Mr. Cellophane" - Amos
"When Velma Takes the Stand" - Velma and the Boys
"Razzle Dazzle" - Billy and Company
"Class" - Velma and Mama Morton
"Nowadays" - Velma and Roxie
"Hot Honey Rag" - Velma and Roxie
"Finale" - Company

Liste des rôles

Velma Kelly - A vaudevillian and murderess who is on trial for killing her cheating husband and sister. She is represented by Billy Flynn and competes with Roxie Hart over him.
Roxanne "Roxie" Hart - A wannabe vaudevillian and murderess who kills her ex-boyfriend after a spat and is sent to jail.
William "Billy" Flynn - Velma and Roxie's lawyer who has a perfect track record and makes celebrities of his clients to win sympathy and sway public opinion.
Amos Hart - Roxie's faithful and good-natured, but simple husband whom nobody pays attention to. He spends most of the play trying to make Roxie take interest in him or even just acknowledge his existence.
Matron "Mama" Morton - The matron of the Cook County Jail who believes that all favors she gives should be reciprocated.
Mary Sunshine - The newspaper reporter who follows the trials of both Roxie Hart and Velma Kelly. In most productions, Sunshine is revealed to be a male at the end of the show.

Textes disponibles on-line

Aucun livret ou texte de chanson disponibles pour le moment

Pour en savoir plus

Aucun dossier informatif complémentaire concernant Chicago.


Versions du musical

Versions majeures de Chicago

Version 1

Chicago (1975-04-Forrest Theatre-Philadelphia) (Pre-Broadway Try Out)
Durée : 3 semaines
Nombre :
Première Preview : mardi 08 avril 1975
Première : mardi 08 avril 1975
Dernière : samedi 03 mai 1975
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec :
En savoir plus sur cette version

Version 2

Chicago (1975-06-Richard Rodger's Theatre-Broadway) (Original)
Durée : 2 ans 2 mois 3 semaines
Nombre : 25 previews - 936 représentations
Première Preview : lundi 12 mai 1975
Première : mardi 03 juin 1975
Dernière : samedi 27 août 1977
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec : Roxie Hart … Gwen Verdon
Billy Flynn … Jerry Orbach
Velma Kelly … Chita Rivera
Amos Hart … Barney Martin
Matron "Mama" Morton … Mary McCarty
Mary Sunshine … M. O'Haughey
Fred Casely … Christopher Chadman
En savoir plus sur cette version

Version 3

Chicago (1979-02-Theater an der Wien-Vienne) (Revival)
Durée :
Nombre : 124 représentations
Première Preview : mercredi 21 février 1979
Première : mercredi 21 février 1979
Dernière : Inconnu
Mise en scène : Helmut Baumann
Chorégraphie : Helmut Baumann
Avec :
En savoir plus sur cette version

Version 4

Chicago (1979-04-Cambridge Theatre-London) (Original London)
Durée :
Nombre : 600 représentations
Première Preview : Inconnu
Première : mardi 10 avril 1979
Dernière : Inconnu
Mise en scène : Peter James
Chorégraphie : Gillian Gregory
Avec : Antonia Ellis (Roxie Hart), Jenny Logan (Velma Kelly), Don Fellows (Amos Hart), Hope Jackman (Momma Morton), Ben Cross (Billy Flynn), G.Lyons (Mary Sunsine)
Commentaires :
Based on the 1926 play by Maurine Dallas Watkins’ and its subsequent film starring Ginger Rogers, the 1975 Broadway musical starred Gwen Verdon and Chita Rivera. Shortly after the New York opening Gwen Verdon was taken ill and temporarily replaced with Liza Minelli. The London production originated at the Crucible Theatre, Sheffield in November 1978.
En savoir plus sur cette version

Version 5

Chicago (1996-10-Broadway Run-Broadway) (Revival)
Durée : 15 ans 7 mois 3 semaines Se joue actuellement
Nombre : 5508 représentations
Première Preview : mercredi 23 octobre 1996
Première : jeudi 14 novembre 1996
Dernière : Open end, ouvert actuellement jusqu'au dim. 01 juillet 2012
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
En savoir plus sur cette version

Version 6

Chicago (1997-03-1er National Tour) (Revival)
Durée : 3 ans 1 mois 1 semaine
Nombre :
Première Preview : mardi 25 mars 1997
Première : mardi 25 mars 1997
Dernière : dimanche 30 avril 2000
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec :
Commentaires :
Listes des 85 villes traversées en annexe….
En savoir plus sur cette version

Version 7

Chicago (1997-11-London Run) (Revival)
Durée : 14 ans 9 mois 3 semaines
Nombre :
Première Preview : lundi 27 octobre 1997
Première : mardi 18 novembre 1997
Dernière : samedi 01 septembre 2012
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec : Ruthie Henshall (Roxie Hart), Ute Lemper (Velma Kelly), Nigel Planer (Amos Hart), Meg Johnson (Momma Morton), Henry Goodman (Billy Flynn)
Commentaires :
S'est joué à l'Adelphi Theatre pendant plus de huit ans (18 nov 97 au 22 avr 06) et puis cinq autres années au Cambridge Theatre (28 avr 06 au 27 aout 2011), avant d'être à nouveau transféré au
En savoir plus sur cette version

Version 8

Chicago (1997-12-2nd National Tour) (Revival)
Durée : 2 ans 10 mois 2 semaines
Nombre :
Première Preview : vendredi 12 décembre 1997
Première : vendredi 12 décembre 1997
Dernière : dimanche 22 octobre 2000
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec :
Commentaires :
Listes des 27 villes traversées en annexe….
En savoir plus sur cette version

Version 9

Chicago (1998-09-Theater an der Wien-Vienne) (Revival)
Durée : 7 mois
Nombre : 201 représentations
Première Preview : mercredi 23 septembre 1998
Première : mercredi 23 septembre 1998
Dernière : mercredi 21 avril 1999
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
Sera transféré au Ronacher Theater
En savoir plus sur cette version

Version 10

Chicago (1999-05-Beatrix Theater-Utrecht) (Revival)
Durée : 1 an 8 mois 3 semaines
Nombre :
Première Preview : dimanche 09 mai 1999
Première : dimanche 09 mai 1999
Dernière : dimanche 28 janvier 2001
Mise en scène :
Chorégraphie :
Avec : Roxie Hart: Simone Kleinsma, Ellen Evers / Velma Kelly: Pia Douwes, Sophia Wezer / Billy Flinn: Stanley Burleson, Tony Neef, Danny Rook / Mamma Morton: Marjolijn Touw, Jenny Arean / Amos Hart: Serge-Henri Valcke / Mary Sunshine: Michael Diederich
En savoir plus sur cette version

Version 11

Chicago (2002-12-Film) (Film)
Durée :
Nombre :
Première Preview : vendredi 27 décembre 2002
Première : vendredi 27 décembre 2002
Dernière : vendredi 27 décembre 2002
Mise en scène : Rob Marshall
Chorégraphie : ???? ????
Avec : Roxie Hart … Renée Zellweger
Velma Kelly … Catherine Zeta-Jones
Billy Flynn … Richard Gere
Matron Mama Morton … Queen Latifah
Amos Hart … John C. Reilly
Bandleader … Taye Diggs
Fred Casely … Dominic West
Mary Sunshine … Christine Baranski
Mrs. Borusewicz … Jayne Eastwood
Nickie … Chita Rivera
En savoir plus sur cette version

Version 12

Chicago (2003-06-3ème National Tour) (Revival)
Durée : 4 ans 3 mois 1 semaine
Nombre :
Première Preview : mardi 03 juin 2003
Première : mardi 03 juin 2003
Dernière : dimanche 09 septembre 2007
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec :
Commentaires :
Listes des 139 villes traversées en annexe….
En savoir plus sur cette version

Version 13

Chicago (2003-06-US Tour 3) (Revival)
Durée : 4 ans 3 mois
Nombre :
Première Preview : vendredi 06 juin 2003
Première : vendredi 06 juin 2003
Dernière : dimanche 09 septembre 2007
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
En savoir plus sur cette version

Version 14

Chicago (2003-11-Belgian Tour) (Revival)
Durée : 4 mois
Nombre :
Première Preview : mercredi 05 novembre 2003
Première : jeudi 06 novembre 2003
Dernière : dimanche 07 mars 2004
Mise en scène :
Chorégraphie :
Avec : Amra Faye (Velma Kelly), Jane Fowler (Roxie Hart), Martin Callaghan (Amos Hart), Debra Michaels (Matron mama), Cavin Cornwall (Billy Flynn)
Commentaires :
> 6/11/2003 - 7/12/2003 : Stadsschouwburg -Antwerpen
> 17/2/2004 - 7/3/2004 - Capitole - Gent
En savoir plus sur cette version

Version 15

Chicago (2008-11-4ème National Tour) (Revival)
Durée : 5 mois
Nombre :
Première Preview : mardi 11 novembre 2008
Première : mardi 11 novembre 2008
Dernière : lundi 27 juin 208
Mise en scène : Bob Fosse • Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
Listes des 51 villes traversées en annexe….
En savoir plus sur cette version

Version 16

Chicago (2011-05-5ème National Tour) (Revival)
Durée : 1 an 6 mois
Nombre :
Première Preview : mardi 10 mai 2011
Première : mardi 10 mai 2011
Dernière : dimanche 11 novembre 2012
Mise en scène : Bob Fosse • Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
Listes des 22 villes traversées en annexe….
En savoir plus sur cette version

Version 17

Chicago (2013-09-6ème National Tour) (Revival)
Durée : 3 ans 7 mois 3 semaines Se joue actuellement
Nombre :
Première Preview : mardi 03 septembre 2013
Première : mardi 03 septembre 2013
Dernière : Open end, ouvert actuellement jusqu'au dim. 23 avril 2017
Mise en scène : Bob Fosse • Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
Listes des 67 villes traversées en annexe….
En savoir plus sur cette version

Version 18

Chicago (2014-11-Palladium Theater-Stuttgart) (Revival)
Durée : 11 mois
Nombre :
Première Preview : jeudi 06 novembre 2014
Première : jeudi 06 novembre 2014
Dernière : dimanche 04 octobre 2015
Mise en scène :
Chorégraphie :
Avec : Volker Metzger (Amos Hart), Nigel Casey (Billy Flynn), Isabel Dörfler ("Mama" Morton), M. Schäffner (Mary Sunshine), Carien Keizer (Roxie Hart), Lana Gordon (Velma Kelly)
En savoir plus sur cette version

Version 19

Chicago (2015-10-Theater des Westens-Berlin) (Revival)
Durée : 3 mois 1 semaine
Nombre :
Première Preview : dimanche 11 octobre 2015
Première : dimanche 11 octobre 2015
Dernière : dimanche 17 janvier 2016
Mise en scène :
Chorégraphie : Ann Reinking
Avec : Volker Metzger (Amos Hart), Nigel Casey (Billy Flynn), Isabel Dörfler (Mama' Morton), Carien Keizer (Roxie Hart), Caroline Frank (Velma Kelly)
En savoir plus sur cette version

Mais aussi, quelques versions régionales ou mineures, ... de Chicago


Multimedia on-line

Vidéos on-line

 Pas encore de video disponible pour ce spectacle


Principaux CD du musical

1) 1975-06-Original Broadway Cast

2) 1996-10-Broadway Revival Cast

3) 1997-10-London Revival Cast

4) 1998-09-Vienna Cast

5) 1999-05-Dutch Cast

6) 2002-12-Film Soundtrack

Liste détaillée des principaux CD


Captations du musical