Détails de cette production
Résumé
The Life and Adventures of Nicholas Nickleby is an 8½ hour-long adaptation of Charles Dickens’ novel, performed in two parts. Part 1 was 4 hours in length with one interval of 15 minutes. Part 2 was 4½ hours in length with two intervals of 12 minutes. It was originally presented onstage over two evenings, or in its entirety from early afternoon with a dinner break. Later it was presented on television over four evenings.
The opening night was on 5 June 1980. The show ran for an 8-week season at the Aldwych Theatre, playing Part 1 on some nights and Part 2 on others with both parts playing together on matinée and evening performances. It was revived for two further 8-week runs at the Aldwych in the autumn season of 1980 and the spring season of 1981 before being filmed for Primetime TV at the Old Vic Theatre and transferring to Broadway for the autumn season of 1981. A further revival with a substantially different cast played at the Royal Shakespeare Theatre in Stratford and toured to Los Angeles and Broadway in 1985.
The play was adapted from the Charles Dickens novel The Life and Adventures of Nicholas Nickleby by David Edgar. Directed by John Caird and Trevor Nunn. The music and lyrics were from Stephen Oliver and the set design was by John Napier and Dermot Hayes.
It transferred to the Plymouth Theatre on Broadway, initially opening 4 October 1981 and running until 3 January 1982. Revivals of the original production were produced in 1986 (which returned to USA for a Broadway run and national tour) and a truncated version from 2006 to 2008.
Dates
Première Preview: InconnuPremière: samedi 22 novembre 1980Dernière: samedi 03 janvier 1981
News
Artistes
Chorégraphie:Avec:Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)
Presse
Commentaire
Un spectacle de la RSC.
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1) Du 28 avril 2014 au 23 août 2014
2) Du 12 juin 2015 au 5 septembre 2015En savoir plus sur cette version
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Shakespeare’s Globe brings Emma Rice’s triumphant Kneehigh show for families to London for the first time. 946 is co-adapted by Michael Morpurgo, one of the UK’s most loved and successful authors whose work includes War Horse, Kensuke’s Kingdom and Private Peaceful.En savoir plus sur cette version
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The actor-manager Tom Walls had produced, directed and co-starred in nine Aldwych farces between 1923 and 1932. By the early 1930s his interest was moving from theatre to cinema, and though he produced the last three farces in the series he did not appear in them. Ben Travers, who had written all but three of the series, made no attempt to write Walls-type roles for another actor to play. Ralph Lynn, who had co-starred with Walls in the earlier farces, became the sole star for Dirty Work, Fifty-Fifty and A Bit of a Test.
By 1933 some regular members of the Aldwych company had left, but there remained Lynn, in his customary "silly ass" roles, Robertson Hare, as a figure of put-upon respectability; Mary Brough as a good-hearted battle-axe; and the saturnine Gordon James.En savoir plus sur cette version
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Rhys Ifans (as Ebenezer Scrooge)Commentaires : En savoir plus sur cette version
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Second cast: àpd 26/11/1987 et jusqu'au 10/9/1988 (89 représentations devant 62.125 spectateurs)En savoir plus sur cette version
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Présenté en coproduction avec TrestleEn savoir plus sur cette version
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> Cottesloe (20/6 - 5/9/1990) 36 représ devant 10.386 spect
> Lyttelton (29/9 - 29/12/1990) 46 représ devant 23.991 spectEn savoir plus sur cette version
Version 59
> Cottesloe (20/6 - 5/9/1990) 36 représ devant 10.386 spect
> Lyttelton (29/9 - 29/12/1990) 46 représ devant 23.991 spectEn savoir plus sur cette version
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Following the acclaimed King & Country: Shakespeare’s Great Cycle of Kings and A Midsummer Night’s Dream; this Autumn sees a pairing of works of two of Shakespeare’s contemporaries, in repertoire from 2 September to 1 October.En savoir plus sur cette version
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> Cottesloe (6/7 - 18/10/2000) 54 représ devant 14.794 spect
> Lyttelton (7/8 - 6/10/2001) 42 représ devant 31.016 spectEn savoir plus sur cette version
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> Cottesloe (6/7 - 18/10/2000) 54 représ devant 14.794 spect
> Lyttelton (7/8 - 6/10/2001) 42 représ devant 31.016 spectEn savoir plus sur cette version
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Following its sell-out run in 2016/17, Amadeus returns to the Olivier in 2018.En savoir plus sur cette version
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> Cottesloe (6/8 - 27/11/1986) 40 représ. devant 9.385 spect
> Olivier (18/12/1986 - 18/2/1987) 24 représ. devant 16.421 spect
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> Cottesloe (6/8 - 27/11/1986) 40 représ. devant 9.385 spect
> Olivier (18/12/1986 - 18/2/1987) 24 représ. devant 16.421 spect
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> Lyttelton (11/9 - 20/10) 33 représ devant 27.769 spect
> Olivier (26/1 - 14/8/1993) 84 représ
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> Lyttelton (11/9 - 20/10) 33 représ devant 27.769 spect
> Olivier (26/1 - 14/8/1993) 84 représEn savoir plus sur cette version
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> Lyttelton (11/9 - 20/10) 33 représ devant 27.769 spect
> Olivier (26/1 - 14/8/1993) 84 représ
Et ensuite transféré à l'Aldwych TheatreEn savoir plus sur cette version
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2 séries:
> Cottesloe (23/1 - 7/11/1992) 113 représ devant 28.662 spect
> Cottesloe (20/11/1993 - 2/7/1994) 49 représ devant 12.438 spectEn savoir plus sur cette version
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2 séries:
> Cottesloe (23/1 - 7/11/1992) 113 représ devant 28.662 spect
> Cottesloe (20/11/1993 - 2/7/1994) 49 représ devant 12.438 spectEn savoir plus sur cette version
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> Cottesloe (25/4 - 4/9/1984) 43 représ. devant 8.998 spect.
> Olivier (27/9/84- 3/4/1985) 54 représ. Devant 56.785 spect.
> Lyttelton (2/9 - 9/12/1985) 14 représ. Devant 9.943 spect.
> Olivier (1/10/1986 - 21/2/1987) 36 représ. Devant 35.471
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> Cottesloe (25/4 - 4/9/1984) 43 représ. devant 8.998 spect.
> Olivier (27/9/84- 3/4/1985) 54 représ. Devant 56.785 spect.
> Lyttelton (2/9 - 9/12/1985) 14 représ. Devant 9.943 spect.
> Olivier (1/10/1986 - 21/2/1987) 36 représ. Devant 35.471
soit 147 représentations devant 111.197 spect.En savoir plus sur cette version
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> Cottesloe (25/4 - 4/9/1984) 43 représ. devant 8.998 spect.
> Olivier (27/9/84- 3/4/1985) 54 représ. Devant 56.785 spect.
> Lyttelton (2/9 - 9/12/1985) 14 représ. Devant 9.943 spect.
> Olivier (1/10/1986 - 21/2/1987) 36 représ. Devant 35.471
soit 147 représentations devant 111.197 spect.En savoir plus sur cette version
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> Cottesloe (25/4 - 4/9/1984) 43 représ. devant 8.998 spect.
> Olivier (27/9/84- 3/4/1985) 54 représ. devant 56.785 spect.
> Lyttelton (2/9 - 9/12/1985) 14 représ. devant 9.943 spect.
> Olivier (1/10/1986 - 21/2/1987) 36 représ. devant 35.471
soit 147 représentations devant 111.197 spect.En savoir plus sur cette version
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Il s'agit de l'une de plus prestigieuses versions de cette pièce.
"Olivier thought Sergius a humbug, a buffoon, a blackguard, a coward, 'a bloody awful part' until Tyrone Guthrie said he would never succeed in the role until he learned to love Sergius. Olivier, spurred and moustachioed, was high camp" Robert Tanitch.
Ce spectacle a été joué auparavant à l'Opera House de Manchester du 7 au 12 août 1944.En savoir plus sur cette version
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(Studio /Leicester Haymarket co-production)En savoir plus sur cette version
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Transféré à l'Albery Theatre (21/6 - 26/8/2000)En savoir plus sur cette version
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Part 2: 29/7 - 23/8En savoir plus sur cette version
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> 28 May 13 to 1 Jun 13 - Liverpool Playhouse, Liverpool
> 3 Jun 13 to 8 Jun 13 - West Yorkshire Playhouse, Leeds
> 10 Jun 13 to 15 Jun 13 - Theatre Royal, BrightonEn savoir plus sur cette version
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Selon la biographie de Laurence Olivier signée John Cottrell, Anthony Quinn était consterné et fort énervé quand il a lu les critiques qui disaient qu’Olivier était meilleur que Quinn. Il aurait affirmé qu'il n'aurait jamais quitté la série s'il avait su ce qui allait se passer. Malgré cela, c'est Quinn qui fut nominé pour un Tony Award alors qu'Olivier a été oublié.En savoir plus sur cette version
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by Jim Cartwright
Director Julia Bardsley
Cottesloe 8 March - 2 May
32 performances; 4,660 (49% & 45%)En savoir plus sur cette version
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Named among the "10 most influential postwar British plays" by Guardian UK!En savoir plus sur cette version
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Lyttelton 15 November - 8 September 1979 71 performances; 43,535 (69% & 56%)En savoir plus sur cette version
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Cottesloe 15 December 1992 - 17 March 1993 33 performances; 8,367 (83% & 75%)En savoir plus sur cette version
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Présenté en coproduction avec Mamaloucos CircusEn savoir plus sur cette version
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Edinburgh Festivals 2006
A Herald Angel, a Fringe First, a Best Theatre Writing Award from The List, The Friends of the Fringe Award and a Stage Award for Best Ensemble for BLACK WATCH.
The Critics Circle Awards 2006
Best Director: John Tiffany for BLACK WATCH
The South Bank Show Awards 2006
Best Theatre Award for BLACK WATCH
Critics’ Awards for Theatre in Scotland 2006-2007
Best Director: John Tiffany for BLACK WATCH
Best Ensemble, Best Technical Presentation and Best Production for BLACK WATCH
Scottish Baftas 2007
Best Documentary: BLACK WATCH – A SOLDIER’S STORY
Writers’ Guild of Great Britain Awards 2007
Best Play (Theatre): Gregory Burke for BLACK WATCH
Helpmann Awards 2008 (Australia)
Best Sound Design: Gareth Fry for BLACK WATCH
Sunday Mail Great Scot Awards 2008
Great Scot Award for Entertainment for BLACK WATCH
Theatre Management Association Awards 2008
Best Touring Production for BLACK WATCH
Manchester Evening News Award
Best Visiting Production for BLACK WATCH
Laurence Olivier Awards 2009
Best New Play: Gregory Burke for BLACK WATCH
Best Director: John Tiffany for BLACK WATCH
Best Theatre Choreographer: Steven Hoggett for BLACK WATCH
Best Sound Design: Gareth Fry for BLACK WATCH
New York Drama Critics' Circle Awards
Best Foreign Play for BLACK WATCH
The Dora Mavor Moore Awards (Canada)
Outstanding Touring Production for BLACK WATCHEn savoir plus sur cette version
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> 1999 Laurence Olivier Award: Best Lighting (Hugh Vanstone)
> 1999 Laurence Olivier Award nomination: Best Actress (Nicole Kidman)
> 1999 Laurence Olivier Award nomination: Best Actor (loin Glen)
> 1999 Laurence Olivier Award nomination: Best Director (Sam Mendes)
> 1999 Laurence Olivier Award nomination: Best Set Design (Mark Thompson)
> 1999 Laurence Olivier Award nomination: Best Play of the Year (David Hare)
Transféré au Cort Theatre (New York) Décembre 1998 - Février 1999En savoir plus sur cette version
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> 2002 Laurence Olivier Award nomination: Best Actress (Zoë Wanamaker)
> 2002 Laurence Olivier Award nomination: Best Actress in a Supporting Rôle (Lyndsey Marshal)
> 2002 Laurence Olivier Award nomination: Best New Comedy (Boston Marriage)
> 2001 Evening Standard Award nomination: Outstanding Newcomer (Lyndsey Marshal)
Transféré au New Ambassadors Theatre Novembre 2001 - février 2002En savoir plus sur cette version
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> 2002 Laurence Olivier Award nomination: Best Actress (Zoë Wanamaker)
> 2002 Laurence Olivier Award nomination: Best Actress in a Supporting Rôle (Lyndsey Marshal)
> 2002 Laurence Olivier Award nomination: Best New Comedy (Boston Marriage)
> 2001 Evening Standard Award nomination: Outstanding Newcomer (Lyndsey Marshal)
West End transfert du Donmar WarehouseEn savoir plus sur cette version
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Following last year's groundbreaking production of Game, the innovative director-designer team Sacha Wares and Miriam Buether return to the Almeida to bring this ambitious exploration of austerity-era London to life. They are joined by an award-winning creative team and an exciting young company of actors.
Written by Leo Butler, who has quietly established himself as one of the UK's most talented political playwrights, Boy is an important new play about coming of age in 21st-century London En savoir plus sur cette version
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> Cottesloe (15/3 - 3/6/2006) 30 représ devant 10.990 spect
> Cottesloe (6/7/2007 - 2/1/2008) 48 représ devant 9.792 spectEn savoir plus sur cette version
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> Cottesloe (15/3 - 3/6/2006) 30 représ devant 10.990 spect
> Cottesloe (6/7/2007 - 2/1/2008) 48 représ devant 9.792 spectEn savoir plus sur cette version
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Bates reprised his performance the following year in a Broadway production directed by James Hammerstein at the Morosco Theatre, where it ran for 14 previews and 135 performances. Bates won the Tony Award for Best Actor in a Play and the Drama Desk Award for Outstanding Performance, and Gray was nominated for the Tony Award for Best Play.En savoir plus sur cette version
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Barrie Rutter, Artistic Director of Northern Broadsides, assembles a cast of actors in this wry exploration of the folly of old age, the allure of power, and the bewildering effects of lust and desire.En savoir plus sur cette version
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The Olivier theatre has been converted into the round for this productionEn savoir plus sur cette version
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> Cottesloe (21/9/2000 - 25/1/2011) 58 représ devant 16.255 spect
> Olivier (3/2 - 31/3/2001) 41 représ devant 33.307 spectEn savoir plus sur cette version
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> Cottesloe (21/9/2000 - 25/1/2011) 58 représ devant 16.255 spect
> Olivier (3/2 - 31/3/2001) 41 représ devant 33.307 spectEn savoir plus sur cette version
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Reprise de la version de 2014En savoir plus sur cette version
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> Cottesloe (29/5 - 20/9/1997) 58 représ devant 16.111 spect
> Lyttelton (16/10/1997 - 3/2/1998) 55 représ devant 46.379 spect
suivies d'un transfert dans le West End au Lyric Theatre (19/3 au 31/10/1998)En savoir plus sur cette version
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> Cottesloe (29/5 - 20/9/1997) 58 représ devant 16.111 spect
> Lyttelton (16/10/1997 - 3/2/1998) 55 représ devant 46.379 spect
suivies d'un transfert dans le West End au Lyric Theatre (19/3 au 31/10/1998)En savoir plus sur cette version
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Being performed in repertoire with 'Wuthering Heights' and 'The Merchant of Venice'. Part of the National Youth 2015 Season.En savoir plus sur cette version
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> Olivier (14/11/2005 - 04/2/2006) 47 représ devant 41.752 spect
> Olivier (29/11/2006 - 24/2/2007) 74 représ devant 79.919 spectEn savoir plus sur cette version
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> Olivier (14/11/2005 - 04/2/2006) 47 représ devant 41.752 spect
> Olivier (29/11/2006 - 24/2/2007) 74 représ devant 79.919 spectEn savoir plus sur cette version
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> Olivier (14/11/2005 - 04/2/2006) 47 représ devant 41.752 spect
> Olivier (29/11/2006 - 24/2/2007) 74 représ devant 79.919 spectEn savoir plus sur cette version
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> 1995 Laurence Olivier Award nomination: Outstanding Achievement in Opera (La Traviata)En savoir plus sur cette version
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> Cottesloe (7/1 - 23/4/1997) 46 représ davant 12.465 spect
> Lyttelton (30/4 - 14/7/1997) 40 repés devant 17.425 spect
Soit 86 représ devant 19.890 spectEn savoir plus sur cette version
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> Cottesloe (7/1 - 23/4/1997) 46 représ davant 12.465 spect
> Lyttelton (30/4 - 14/7/1997) 40 repés devant 17.425 spect
Soit 86 représ devant 19.890 spectEn savoir plus sur cette version
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Joué le même soir que "Œdipus Tyrannus"En savoir plus sur cette version
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Spooks and The Hobbit star Richard Armitage takes the title role as a man who battles for his conscience and purity of spirit, amidst the chaos and lustful superstition of the Salem witch-trials, with devastating consequences.En savoir plus sur cette version
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Vu l'énorme succès, il a été transféré dans le West End, à l' Apollo Theatre, ouvrant le 12 mars 2013, après des previews depuis le 1er mars. Le 19 décembre 2013, en pleine représentation, une partie du plafnd de la salle s'effondre. Le spectacle s'arrête et ne reprendra au Gielgud Theatre, à une dizaine de mètres de l'Apollo, que le 24 juin 2014.En savoir plus sur cette version
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Vu l'énorme succès, il a été transféré dans le West End, à l' Apollo Theatre, ouvrant le 12 mars 2013, après des previews depuis le 1er mars. Le 19 décembre 2013, en pleine représentation, une partie du plafond de la salle s'effondre. Le spectacle s'arrête et ne reprendra au Gielgud Theatre, à une dizaine de mètres de l'Apollo, que le 24 juin 2014.En savoir plus sur cette version
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(Benjamin Wheelwright plays Christopher at certain performances)Commentaires : Transfert de la pièce du National Theatre de LondresEn savoir plus sur cette version
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On bringing back 30 Million Minutes for the final time, Dawn said: "Dredging my lucky pants out of the bottom drawer - I'm very excited about being back in the West End at the Vaudeville Theatre for a final six performances in October."En savoir plus sur cette version
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> 1994 Evening Standard Award: Best Lighting Designer (Mark Henderson)
> 1994 Critics' Circle Award: Best Director (Sean Mathias)
> 1994 Critics' Circle Award: Most Promising Newcomer (Rachel Weisz)
> 1995 Laurence Olivier Award: Best Set Designer (Stephen Brimson Lewis)
> 1995 Laurence Olivier Award nomination: Best Costume Designer (Stephen Brimson Lewis)En savoir plus sur cette version
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Lindsay Posner returns to the Chocolate Factory having previously directed Communicating Doors and Abigail’s Party. He recently directed the revival of Hay Fever currently running at the Duke of York’s.En savoir plus sur cette version
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This was the first production of Doctor Faustus at the Globe.En savoir plus sur cette version
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1986-1987 OBIE Award
Performance, Dana Ivey
1988 Pulitzer Prize for Drama
1988 Outer Critics Circle Awards
1. Best Off-Broadway Play
2. Best Actress in a Play, Dana Ivey
3. Best Director, Ron LagomarsinoEn savoir plus sur cette version
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> 1998 Laurence Olivier Award: Best Actress (Zoë Wanamaker)
Transféré au McCarter Théâtre (Princeton, New Jersey) septembre - octobre 1998 et au Barrymore Theatre (New York) novembre 1998 - mars 1999
> 1999 Tony Award nomination: Best Actress (Zoë Wanamaker)
> 1999 Tony Award nomination: Best Featured Role (
> 1999 Tony Award nomination: Best Actress - Featured Rôle (Clore Bloom)
> 1999 Tony Award nomination: Best Play Revival (Electra)En savoir plus sur cette version
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En septembre 1957, le spectacle sera transféré au Palace Theatre dans le West End, puis partira en tournée avant de revenir au Palace Theatre. Et de partir à Broadway.En savoir plus sur cette version
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En septembre 1957, le spectacle sera transféré au Palace Theatre dans le West End, puis partira en tournée avant de revenir au Palace Theatre. Et de partir à Broadway.En savoir plus sur cette version
Version 401
En septembre 1957, le spectacle sera transféré au Palace Theatre dans le West End, puis partira en tournée avant de revenir au Palace Theatre. Et de partir à Broadway.En savoir plus sur cette version
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En septembre 1957, le spectacle sera transféré au Palace Theatre dans le West End, puis partira en tournée avant de revenir au Palace Theatre. Et de partir à Broadway.En savoir plus sur cette version
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BAFTA winner and Academy Award® nominee Chiwetel Ejiofor (12 Years a Slave) takes the title role in this dynamic new production of one of English drama’s oldest plays, directed by the National Theatre’s new Director Rufus Norris (Broken, London Road).En savoir plus sur cette version
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Joué jusqu'en décembre 1926.En savoir plus sur cette version
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The play was first produced at Budapest’s National Theater in 1917. In 1922 it appeared on Broadway—one year after the Theatre Guild’s wildly successful staging of Molnár’s LILIOM (the basis of Rodgers and Hammerstein’s CAROUSEL). The New York Times hailed FASHIONS as “a fresh phase of [Molnár’s] versatile genius.”
Despite acclaim, FASHIONS FOR MEN gathered dust for 93 years—until Mint’s lauded production proved the play’s timeless appeal. “The phrase ‘generous to a fault’ could easily have been coined to describe Peter Juhász, the openhearted but foolish main character in Ferenc Molnár’s 1917 comedy, receiving a delightful revival under Davis McCallum’s direction…with the original English translation niftily spruced up by the company’s artistic director, Jonathan Bank,” wrote The New Yorker. FASHIONS FOR MEN received a Lucille Lortel, Outer Critics’ Circle, and Drama Desk nomination for Outstanding Revival of a Play—as well as a second Drama Desk nomination for Daniel Zimmerman’s “exquisitely detailed” scenery.En savoir plus sur cette version
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Tickets for The Ferryman at the Royal Court Theatre broke records, selling out in record time. It was announced that The Ferryman will transfer to the West End's Gielgud Theatre for 16 weeks from 20 June to 7 October 2017, with an opening night on 29 June 2017. En savoir plus sur cette version
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> A Twist ofLemon d'Alex Renton (mes Peter Gill)
> Sunday Morning de Rod Smith (mes John Burgess)
> Win the Blue de Peter Gill (mes Peter Gill)
> Bouncing de Rosemary Wilton (Mes Peter Gill)
> Up for None de Mick Mahoney (mes Peter Gill)En savoir plus sur cette version
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The Flick arrived at the National Theatre, London, in 2016, direct from New York, where it won the Pulitzer Prize for Drama.En savoir plus sur cette version
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Part of the Springboard series: Work by emerging young writers, whose plays have been developed at the National Theatre Studio.En savoir plus sur cette version
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Director John Burgess & Peter Gill 14 - 23 November 11 performances; 1,558 (55% & 53%)En savoir plus sur cette version
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> 1995 Critics' Circle Award: Best Actress (Claire Skinner)
> 1995 Time Out AwardBest Performance Off-West End (Claire Skinner)
> 1996 Laurence Olivier AwardBest Director (Sam Mendes)
> 1996 Laurence Olivier Award: Best Lighting (David Hersey)
> 1996 Laurence Olivier Award nomination: Best Adress (Zoë Wanamaker)
> 1996 Laurence Olivier Award nomination: Best Set Designer (Rob Howell)
> 1996 Laurence Olivier Award nomination: Best Supporting Performance (Claire Skinner)
> 1996 Laurence Olivier Award nomination: Best Supporting Performance (Ben Chaplin)
Transféré au Comedy Theatre (Décemnre 1995 - Mars 1996)En savoir plus sur cette version
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> 1995 Laurence Olivier Award nomination: Best Lighting Designer (David Hersey)En savoir plus sur cette version
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Memories are made flesh as the ghosts of Pip's past play out important moments in his life - there is certainly a Tim Burton-esque feel to the play, reflected in the white faces, black lipstick and gothic dress of the story's crooked Dickensian characters as they are conjured up by Pip to converse in colourful cockney accents.En savoir plus sur cette version
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All On Her Own: Zoe WanamakerCommentaires : Harlequinade will play in repertory with The Winter's Tale. Part of The Kenneth Branagh Theatre Company SeasonEn savoir plus sur cette version
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In December 2013, it was revealed that a stage play based on Harry Potter had been in development for around a year,[3] with the view to bringing it to the stage sometime in 2015. Created by J.K. Rowling, the Harry Potter series spans seven novels, selling more than 450 million copies, and was turned into an eight-part film series, which grossed more than £4.4 billion around the world. In addition, theme parks such as the Wizarding World of Harry Potter[6] and studio tours of the sets used in the films have opened based around the series. At the time of the announcement Rowling revealed that the play would “explore the previously untold story of Harry’s early years as an orphan and outcast”. In spring of the following year Rowling began establishing the creative team for the project.
Rowling stated shortly after the play's announcement that the piece would not be a prequel. In response to queries regarding the choice of a play rather than a new novel Rowling has stated that she “is confident that when audiences see the play they will agree that it is the only proper medium for the story”. Rowling has also assured audiences that the play will contain an entirely new story, and will not be a rehashing of previously explored content.
On 26 June 2015, the project was officially confirmed under the title of Harry Potter and the Cursed Child, and it was revealed it would receive its world premiere in the summer of 2016 at London's Palace Theatre. The announcement marked the eighteenth anniversary of the publication of the first Harry Potter novel, Harry Potter and the Philosopher's Stone, published on 26 June 1997. The play's official website was made available shortly after Rowling's announcement with a register for ticket pre-orders and biographies on the main creative team.En savoir plus sur cette version
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In December 2013, it was revealed that a stage play based on Harry Potter had been in development for around a year,[3] with the view to bringing it to the stage sometime in 2015. Created by J.K. Rowling, the Harry Potter series spans seven novels, selling more than 450 million copies, and was turned into an eight-part film series, which grossed more than £4.4 billion around the world. In addition, theme parks such as the Wizarding World of Harry Potter[6] and studio tours of the sets used in the films have opened based around the series. At the time of the announcement Rowling revealed that the play would “explore the previously untold story of Harry’s early years as an orphan and outcast”. In spring of the following year Rowling began establishing the creative team for the project.
Rowling stated shortly after the play's announcement that the piece would not be a prequel. In response to queries regarding the choice of a play rather than a new novel Rowling has stated that she “is confident that when audiences see the play they will agree that it is the only proper medium for the story”. Rowling has also assured audiences that the play will contain an entirely new story, and will not be a rehashing of previously explored content.
On 26 June 2015, the project was officially confirmed under the title of Harry Potter and the Cursed Child, and it was revealed it would receive its world premiere in the summer of 2016 at London's Palace Theatre. The announcement marked the eighteenth anniversary of the publication of the first Harry Potter novel, Harry Potter and the Philosopher's Stone, published on 26 June 1997. The play's official website was made available shortly after Rowling's announcement with a register for ticket pre-orders and biographies on the main creative team.En savoir plus sur cette version