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Chicago (1975)

Richard Rodgers Theatre
Broadway - Etats-Unis

03/06/1975 > 27/08/1977

Détails de cette production  

Lieu

Richard Rodgers Theatre - Broadway - Etats-Unis

Dates

Première Preview: lundi 12 mai 1975
Première: mardi 03 juin 1975
Dernière: samedi 27 août 1977

News

Artistes

Mise en scène:
Bob Fosse
Chorégraphie:
Bob Fosse
Avec:
Roxie Hart … Gwen Verdon
Billy Flynn … Jerry Orbach
Velma Kelly … Chita Rivera
Amos Hart … Barney Martin
Matron "Mama" Morton … Mary McCarty
Mary Sunshine … M. O'Haughey
Fred Casely … Christopher Chadman

Presse

Commentaire

 

Multimedia on-line de cette production

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 Pas encore de video disponible pour ce spectacle

 

CD de cette production

1975-06-Original Broadway Cast

Stars:
Date de sortie:
1975-06-??
Type de CD:
Stage Cast •
Nombre de CD:
pour un total de tracks
Artistes:
Candy Brown, Christopher Chadman, Cheryl Clark, Graciela Daniele, Gene Foote, Gary Gendell, Richard Korthaze, Barney Martin (Amos Hart), Mary McCarty (Matron), M. O'Haughey (Mary Sunshine), Jerry Orbach (Billy Flynn), Michon Peacock, Chita Rivera (Velma Kelly), Charlene Ryan, Ron Schwinn, Paul Solen, Pamela Sousa, Gwen Verdon (Roxie Hart), Michael Vita
Tracks:
01. Overture -- Orchestra
02. All That Jazz -- Chita Rivera
03. Funny Honey -- Gwen Verdon
04. Cell Block Tango -- Chita Rivera
05. When You're Good to Mama -- Mary McCarty
06. All I Care About -- Jerry Orbach
07. A Little Bit of Good -- M. O'Haughey
08. We Both Reached for the Gun -- Gwen Verdon
09. Roxie -- Gwen Verdon
10. I Can't Do It All Alone -- Chita Rivera
11. My Own Best Friend -- Gwen Verdon
12. Me And Me Baby -- Gwen Verdon
13. Mr. Cellophane -- Barney Martin
14. When Velma Takes the Stand -- Chita Rivera
15. Razzle Dazzle -- Jerry Orbach
16. Class -- Chita Rivera
17. Nowadays -- Gwen Verdon
18. All That Jazz (Reprise) -- Chita Rivera
Commentaires:
Chicago, the 1975 Broadway musical, is based on a 1926 Broadway play written by Maurine Watkins, a journalist and court stenographer who, in turn, based it on the true story of a woman accused of murdering her lover, but acquitted despite her guilt in a blaze of publicity machinations and deceitful lawyering in the Prohibition Era, gang-dominated city of the title. The show is the work of a group of veteran theater professionals, all of whom have gone a while without a Broadway hit. Director/choreographer/co-librettist Bob Fosse, perhaps the biggest influence on the work (but the one whose efforts are hardest to appreciate on the cast album), most recently scored on Broadway with Pippin in 1972 and seems to have conceived the project as a vehicle for his ex-wife, Gwen Verdon, last seen in their last collaboration, Sweet Charity, in 1966. Fosse took the project to the songwriting team of composer John Kander and lyricist (and making his debut as a co-librettist) Fred Ebb, who have worked steadily, but not had a hit, since Cabaret in 1966. Chita Rivera, playing the part of another murderess, a role built up to co-starring status in this version of the story, has been on the West Coast working in television; her last Broadway hit was Bye Bye Birdie in 1960. Jerry Orbach, playing the shyster, has been off the boards since Promises, Promises in 1969.

All of them must have been hungry for a hit, and they may have found it in Chicago, which, despite being half a century old, couldn't seem more timely in the year following the squalid conclusion of the Watergate scandal. On disc, the dominant force is Kander & Ebb's score (with a few lines of Fosse and Ebb's dialogue thrown in to give a sense of the plot), and as he did in Cabaret, Kander uses the excuse of the 1920s setting to write pastiches of '20s pop music styles, including lots of Dixieland jazz and Tin Pan Alley pop. (Sometimes, the references are specific: "All I Care About," the lawyer's facetious denial that he's interested in anything but "love," is written and performed in the manner of '20s star Ted Lewis, known for his catch phrase, "Is everybody happy?" Orbach asks instead, "Is everybody here? Is everybody ready?") Cabaret's setting in Weimer Germany with the Nazis looming also allowed Ebb to indulge his taste for sarcasm, and the same thing is true -- even if the scene is a bit less tragic -- for this Roaring Twenties locale. Fosse has abetted these approaches by structuring the production as a series of vaudeville acts, telling the already cheaply sensational story through a dated theatrical framing device. So, not only is every character a liar, a murderer, or a fool, but also it's all show biz!

This actually makes Verdon somewhat miscast, even if the show was designed with her in mind, since she has a sincere and winning manner, as she did in Sweet Charity, that is at odds with her character's toughness and willingness to manipulate everyone around her. The extended spoken portion of her title song, "Roxie," in which she tries to explain why she is the way she is, doesn't really convince. Also, Ebb's mere crankiness peeks through his cynicism, notably in "Class," in which two characters who have none nevertheless complain that it has disappeared lately. That is followed by the final number for the two scot-free "killer-dillers," "Nowadays," in which Verdon and Rivera praise their tawdry world and note that "in 50 years or so" things may change. Of course, those 50 years or so now have passed, and the makers of Chicago want us to know that nothing's changed; if anything, things have gotten worse. But with only Richard Nixon, not the Adolf Hitler of Cabaret, to consider, that may be a stretch. Chicago uses the '70s hangover following the '60s idealism, a world presided over, until recently, by a crook, to trot out some snazzy vaudeville routines and give them the illusion of intellectual heft. As one song title has it, it wants simultaneously to "Razzle Dazzle" us, but also to let us in on the trick. Once again, the headlines proclaim that the guilty have gotten off; on this album, Chicago sets that story to music effectively (and, on the stage, Fosse makes it dance). ~ William Ruhlmann, Rovi All Music Guide

 

D'autres versions de cette oeuvre

Version 1

Forrest Theatre à Philadelphia (Pre-Broadway Try Out)
Durée : 3 semaines
Nombre :
Première Preview : mar 08 avril 1975
Première : mar 08 avril 1975
Dernière : sam 03 mai 1975
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec :
Commentaires :
En savoir plus sur cette version

Version 2

Richard Rodgers Theatre à Broadway (Original)
Durée : 2 ans 2 mois 3 semaines
Nombre : 25 previews - 936 représentations
Première Preview : lun 12 mai 1975
Première : mar 03 juin 1975
Dernière : sam 27 août 1977
Mise en scène : Bob Fosse
Chorégraphie : Bob Fosse
Avec : Roxie Hart … Gwen Verdon
Billy Flynn … Jerry Orbach
Velma Kelly … Chita Rivera
Amos Hart … Barney Martin
Matron "Mama" Morton … Mary McCarty
Mary Sunshine … M. O'Haughey
Fred Casely … Christopher Chadman
Commentaires :
En savoir plus sur cette version

Version 3

Cambridge Theatre à Londres (Original London)
Durée :
Nombre : 600 représentations
Première Preview : Inconnu
Première : mar 10 avril 1979
Dernière : Inconnu
Mise en scène : Peter James
Chorégraphie : Gillian Gregory
Avec : Antonia Ellis (Roxie Hart), Jenny Logan (Velma Kelly), Don Fellows (Amos Hart), Hope Jackman (Momma Morton), Ben Cross (Billy Flynn), G.Lyons (Mary Sunsine)
Commentaires : Based on the 1926 play by Maurine Dallas Watkins’ and its subsequent film starring Ginger Rogers, the 1975 Broadway musical starred Gwen Verdon and Chita Rivera. Shortly after the New York opening Gwen Verdon was taken ill and temporarily replaced with Liza Minelli. The London production originated at the Crucible Theatre, Sheffield in November 1978.
En savoir plus sur cette version

Version 4

Broadway Run à Broadway (Revival)
Durée : 15 ans 7 mois 3 semaines Se joue actuellement
Nombre : 5508 représentations
Première Preview : mer 23 octobre 1996
Première : jeu 14 novembre 1996
Dernière : Open end, ouvert actuellement jusqu'au dim 01 juillet 2012
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
En savoir plus sur cette version

Version 5

London Run à Londres (Revival)
Durée : 14 ans 9 mois 2 semaines
Nombre :
Première Preview : lun 27 octobre 1997
Première : mar 18 novembre 1997
Dernière : sam 01 septembre 2012
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec : Ruthie Henshall (Roxie Hart), Ute Lemper (Velma Kelly), Nigel Planer (Amos Hart), Meg Johnson (Momma Morton), Henry Goodman (Billy Flynn)
Commentaires : S'est joué à l'Adelphi Theatre pendant plus de huit ans (18 nov 97 au 22 avr 06) et puis cinq autres années au Cambridge Theatre (28 avr 06 au 27 aout 2011), avant d'être à nouveau transféré au
En savoir plus sur cette version

Version 6

Theater an der Wien à Vienne (Revival)
Durée :
Nombre :
Première Preview : Inconnu
Première : mer 23 septembre 1998
Dernière : Inconnu
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
En savoir plus sur cette version

Version 7

Beatrix Theater à Utrecht (Revival)
Durée :
Nombre :
Première Preview : dim 09 mai 1999
Première : dim 09 mai 1999
Dernière : Inconnu
Mise en scène :
Chorégraphie :
Avec : Velma Kelly … Pia Douwes
Roxie Hart … Simone Kleinsma
Billy Flynn … Stanley Burleson
Commentaires :
En savoir plus sur cette version

Version 8

*** Film à *** (Film)
Durée :
Nombre :
Première Preview : ven 27 décembre 2002
Première : ven 27 décembre 2002
Dernière : ven 27 décembre 2002
Mise en scène : Rob Marshall
Chorégraphie : ???? ????
Avec : Roxie Hart … Renée Zellweger
Velma Kelly … Catherine Zeta-Jones
Billy Flynn … Richard Gere
Matron Mama Morton … Queen Latifah
Amos Hart … John C. Reilly
Bandleader … Taye Diggs
Fred Casely … Dominic West
Mary Sunshine … Christine Baranski
Mrs. Borusewicz … Jayne Eastwood
Nickie … Chita Rivera
Commentaires :
En savoir plus sur cette version

Version 9

US Tour à (Revival)
Durée : 4 ans 3 mois
Nombre :
Première Preview : ven 06 juin 2003
Première : ven 06 juin 2003
Dernière : dim 09 septembre 2007
Mise en scène : Walter Bobbie
Chorégraphie : Ann Reinking
Avec :
Commentaires :
En savoir plus sur cette version