Topologie du théâtre

Nombre de places: 1575
Nombre de balcons: 2

Accès

En métro: London Victoria
En bus: 8, 11, 16, 24, 36, 38, 73, 82, 211, 507, 511
Adresse: Victoria Street, London SW1E 5EA

Evolution

Bâtiment: Early 1830s. The Royal Standard Hotel is built in Stockdale Terrace on a site now occupied by Victoria railway station / 1886. The Royal Standard rebuilt / 1911. Frank Matcham builds the Victoria Palace on the Royal Standard site for Alfred Butt / Statutorily Listed Historic Building: Grade II.
Nom: 1832 Moy's Music Hall / 1863 Royal Standard Music Hall

Propriétaire(s):


Remarquable:

The splendid white eye-catching exterior design, carried through to i superb baroque auditorium

 

Quelques galeries photos de ce théâtre

Photos du théâtre

Photos de la salle

Aucune image pour le moment

Photos des décorations

Aucune image pour le moment

 

Les dernières news de ce théâtre

Fermeture annoncée de "Billy Elliot" en avril 2016
 Londres (Angleterre)
 Victoria Palace Theatre  
 Billy Elliot  
 Publié le 11 déc 2015

La production londonienne de Billy Elliot - The Musical, qui fêtrera son 11ème anniversaire au Victoria Palace Theatre en mars l'année prochaine, a annoncé que le spectacle fermera dans ce théâtre le 9 avril 2016, avant une rénovation du théâtre.

 

La chronologie de ce théâtre

Vous trouverez ci-dessous une liste la plus complète possible des spectacles joués dans ce théâtre. Nous y avons mentionné tous les 'musicals' connus de nous, ainsi que d'autres formes de spectacle (théâtre, danse, ...) s'ils nous semblent avoir marqué l'histoire du théâtre.

Prochainement

Spectacle(s) actuel(s)

Anciens spectacles

Billy Elliot (Original)
Joué durant  10 ans 11 mois

Première preview: jeu 31 mars 2005
Première: mer 11 mai 2005
Dernière: sam 09 avril 2016


Metteur en scène:
Stephen Daldry •  
Chorégraphe:
Peter Darling •  
Avec:

Cast: James Lomas/George Maguire/Liam Mower (Billy), Haydn Gwynne (Mrs Wilkinson), Tim Healy (Dad), Joe Caffrey (Tony), Ann Emery (Grandma), Trevor Fox (George), Steve Elias (Mr Braithwaite), Stephanie Putson (Dead Mum), Isaac James (Older Billy), Brad Kavanagh/Ashley Long/Ryan Longbottom (Michael), Brook Havana Bailey/Emma Hudson/Lucy Stephenson (Debbie), 

Commentaire:

The musical was based on the 2000 film of the same name. The original film was partly inspired by A.J. Cronin’s 19 novel “The Stars Look Down”. The musical earned excellent notices - "the greatest British musical I have ever seen" (Daily Telegraph), "a theatrical masterpiece" (Daily Mail) and won four Olivier Awards, including Best New Musical and Best Actor in a Musical awarded jointly to all three boys who played Billy. The Broadway production opened in November 2008, earning totally rave reviews, winning ten Tony Awards, and recovering its entire $18 million investment in 14 months. (The New York production closed on January 8th, 2012 following 40 previews and 1,304 performances.)  (plus) 

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Tonight's the Night (Original)
Joué durant  11 mois

Première preview: mer 15 octobre 2003
Première: ven 07 novembre 2003
Dernière: sam 09 octobre 2004


Metteur en scène:
Ben Elton •  
Chorégraphe:
Stephen Mear •  
Avec:

Tim Howar (Stuart Clutterbuck ), Dianne Pilkington (Mary), Hannah Waddingham (Satan), Michael McKell (Stoner ), Catherine Porter (Baby Jane Golden), Howard Samuels (Jorge), Keith Bookman (Greaser), Jeff Edwards (Bonehead), Debbie Kurup (Dee Dee), Sharon Clancy (Winona), Tim Funnell (Rocky Washington), Tim Walton (Travolta), Lucie Fentum (Miss Mercedes), Lucy Anderson (Bootie), Rebecca Parker (Desiree), Tanya Robb (Loretta), Tyman Boatwright, Matthew Boulton, Alistair David, Matt Firth, Emma Gray, Leon Maurice-Jones, Samantha Modeste, Jo Morris, Brenda Jane Newhouse, Ngo Ngofa, Thern Reynolds, Chris Ellis-Stanton, Dean Street, Lucy Jane Adcock, Sarah Dickens, Jane McMurtrie, Darragh O'Leary, Tino Sanchez, Paul Shipp 

Commentaire:

This was another of Ben Elton’s catalogue shows, wrapping a story around a series of hit songs. Even before it opened it was being referred to as “We Will Rod You”. Just like “We Will Rock You”, the critics hated this show, describing it as written on the back of an envelope while waiting for the kettle to boil. With top-price tickets at £55, it was rapidly known as “We Will Rob You”. However, perhaps aware of how wrong they were over the Freddie Mercury tribute, this time most critics were able to praise the music, the choreography and the songs, whilst hating the thin story, smutty humour, gratuitous gay banter and crude sexual stereotyping. The show ran for eleven months.  (plus) 

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Grease (Revival)
Joué durant  11 mois 1 semaine

Première preview: jeu 26 septembre 2002
Première: mer 02 octobre 2002
Dernière: sam 06 septembre 2003


Metteur en scène:
David Gilmore •  
Chorégraphe:
Arlene Phillips •  
Avec:

Greg Kohout (Danny Zuko), Caroline Sheen (Sandy), Dawn Spence (Rizzo), Matthew Cutts (Kenickie), Emma Cannon (Marty), Tanya Oaridia (Frenchy), Richard Taylor Woods (Sonny), Daniel Boys, Paul Burnham, Lee Latchford Evans, Lorraine Graham, Gary Jordan 

Commentaire:

Following its original six year-run in the West End, and an extensive UK tour, this same production was now back in London, where it would run for a further eleven months.  (plus) 

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Kiss me Kate (Revival)
Joué durant  9 mois 3 semaines

Première preview: mar 30 octobre 2001
Première: mar 30 octobre 2001
Dernière: sam 24 août 2002


Metteur en scène:
Michael Blakemore •  
Chorégraphe:
Kathleen Marshall •  
Avec:

Brent Barrett (Fred Graham), Marin Mazzie (Lili Vanessi), Colin Farrell (Harry), Nancy Anderson (Lois Lane), Michael Berresse (Bill Calhoun), Teddy Kempner & Jack Chissick (Gangsters), Kaye E. Browne (Hattie, ^Nolan Frederick (Paul), Nicolas Colicos (Harrison Howell) 

Commentaire:

This was a transfer from Broadway, with Marin Mazzie and Michael Berresse repeating the roles they had played in New York, where the show had opened in November 1999 and run for 881 performances. (The show interpolates one extra Cole Porter song - “From this Moment On”). It won several awards on Broadway and was lavishly praised by the London critics. It closed on August 24th after nearly ten months.  (plus) 

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Fame (Revival)
Joué durant  11 mois 1 semaine

  (794 représentations)

Première preview: jeu 28 septembre 2000
Première: mar 03 octobre 2000
Dernière: sam 08 septembre 2001


Metteur en scène:
Karen Bruce • Runar Borge •  
Chorégraphe:
Lars Bethke •  
Avec:

Mazz Murray (Mabel), Rebekah Gibbs (Carmen), Tee Jay, Robert Miller, Leigh Ann Regan, Golda Rosheubal, Becks Hanks, William Wolfe Hogan . 

Commentaire:

  

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La Cava (Original)
Joué durant  1 mois 2 semaines

  (52 représentations)

Première preview: lun 22 mai 2000
Première: jeu 08 juin 2000
Dernière: sam 22 juillet 2000


Metteur en scène:
Steven Dexter •  
Chorégraphe:
Mitch Sebastian •  
Avec:

Oliver Tobias (King Roderic), Julie-Alanah Brighten (Florinda), David Bardsley (General Espatorias), Daniel Redmond (Somal), Paul Keating (Agon), Patrick Romer (Archbishop), Joshua Bancel (Tariq), Richard Woodford (Marcus), Marilyn Cutts, Luke Evans 

Commentaire:

Dana Broccoli was the widow of the legendary producer of the James Bond films, and a successful novelist in her own right. This lavishly funded production was magnificently staged with spectacular battle-scenes. The notices were mixed, though generally they tipped towards the view that the audience would certainly get its money’s worth and lovers of great romantic, spectacular over-blown epics would have a great night’s entertainment. After seven weeks at the Victoria Palace it transferred to the Piccadilly Theatre and finally closed after a total run of eight months, closing February 3rd, 2001  (plus) 

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Pajama Game (The) (Revival)
Joué durant  2 mois 2 semaines

  (88 représentations)

Première preview: ven 10 septembre 1999
Première: lun 04 octobre 1999
Dernière: sam 18 décembre 1999


Metteur en scène:
Simon Callow •  
Chorégraphe:
David Bintley •  
Avec:

John Hegley (Hines), Leslie Ash (Babe Williams),
Graham Bickley (SidSorokin), Jenny Ann Topham (Gladys), Anita Dobson (Mabel), Jonathan D. Ellis (Prez), John Levitt (Mr Hasler) Alison Limerick (Gladys Hotchkiss), Karen Clegg, Heather Craig, Francesco D'Astici, Louise Davidson, Rufus Dean, Peter Edbrook, Steve Elias, Catie Entwhistle, Laura Hussey, Natasha Knight, John Levitt, Saskia Lockey, Paul Micha, Lucy Potter, Adam pudney, Phillipe Reynolds, Simon Smith, Deborah Spellman, Todd Talbot, Frank Thompson, Jenny-Ann Topham. 

Commentaire:

During the pre-London tour the lead female role was played by Ulrika Jonsson, who withdrew and her part was taken by Leslie Ash. It was 45 years since the show had last been in London, but generally the critics felt it had not been worth reviving - especially in what was described as a lacklustre production with some very peculiar scenery designs by the abstract painter, Frank Stella. It
ran for ten weeks.  (plus) 

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Soul Train (Original)
Joué durant  2 mois 2 semaines

Première preview: mer 16 juin 1999
Première: mar 22 juin 1999
Dernière: sam 04 septembre 1999


Metteur en scène:
Mark Clements •  
Chorégraphe:
Stephen Mear •  
Avec:

Sharon Benson, Jacqui Boatswain, Sheila Ferguson, C. Gerod Harris, Danny John-Jules, Melanie E Marshall, Karen McSween, David Obinyan, Jason Pennycooke, Colin Roy, Vanessa Smith 

Commentaire:

Another “jukebox” musical with hardly any plot - this offered some 47 songs (or bits of songs) - and was ostensibly a dramatised history of soul music, starting with a church-type gospel choir who then rip off their cassocks to reveal sequinned dresses, and illustrate the story with video projections of the Ku Klux Klan and the Vietnam War. It was described as a “lazy, ramshackle and short-lived excuse for a show”, but a superbly sung and performed celebration of black music. It closed after just ten weeks.  (plus) 

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Rocky Horror Show (The) (Revival)
Joué durant  1 mois 3 semaines

Première preview: mer 14 avril 1999
Première: mer 14 avril 1999
Dernière: sam 05 juin 1999


Metteur en scène:
Christopher Malcolm •  
Chorégraphe:
Stacey Haynes •  
Avec:

Nicholas Parsons/Ken Morley (Narrator), Jason Donovan ((Frank-n-Furter), Ross O’Hennessy (Rocky Horror), Stuart De La Mere (Brad), Simona Morecroft (Janet), Geòrgie Haynes (Riff-Raff), Laurie Brett (Magenta), Gael Johnson (Columbia), Mark White (Eddie/Dr Scott) 

Commentaire:

Once again back in the West End celebrating the show’s 25th anniversary, no one could quite work out why it was billed as the “New” Rocky Horror Show. Neither the scenery nor costumes looked new, and, according to the Evening Standard, this was the cheapest looking production yet staged. However, Jason Donovan was effective as Frank.  (plus) 

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Annie (UK Revival)
Joué durant  5 mois

  (173 représentations)

Première preview: mar 22 septembre 1998
Première: mer 30 septembre 1998
Dernière: dim 28 février 1999


Metteur en scène:
Martin Charnin •  
Chorégraphe:
Peter Gennaro •  
Avec:

Lesley Joseph (Miss Hannigan), Charlene Barton/Sophie McShera (Annie), Kevin Colson (Oliver Warbucks), Kate Normington (Grace Farrell). Andrew Kennedy (Rooster), Gail Marie Shapter (Lily), Matt Zimmerman (Bert Healy), Peter Harding (FDR) 

Commentaire:

This was re-created by the same production team that staged the original London production in 1978 - twenty years earlier. Most critics welcomed it back, though one or two felt the intervening decades had taken the edge off the show. It ran for five months.  (plus) 

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Sweet Charity (Revival)
Joué durant  2 mois 4 semaines

  (103 représentations)

Première preview: sam 09 mai 1998
Première: mar 19 mai 1998
Dernière: sam 15 août 1998


Metteur en scène:
Carol Metcalfe •  
Chorégraphe:
Bob Fosse •  
Avec:

Bonnie Langford (Chanty), Cornell John {Oscar), Mark Wynter (Vittorio Vidal) Johanne Murdock (Nicky), Jane Fowler (Helene), Omar F. Okai (Brubeck) 

Commentaire:

This production originated at the Churchill Theatre, Bromley. Its West End run was just three months, following very mixed reviews.  (plus) 

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Fame (Revival)
Joué durant  2 mois 1 semaine

Première preview: lun 10 novembre 1997
Première: lun 10 novembre 1997
Dernière: sam 17 janvier 1998


Metteur en scène:
Runar Borge •  
Chorégraphe:
Lars Bethke •  
Avec:

Lucy Williamson, Kev Orkian 

Commentaire:

  

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Always (Original)
Joué durant  1 mois 2 semaines

  (54 représentations)

Première preview: jeu 22 mai 1997
Première: mar 10 juin 1997
Dernière: sam 26 juillet 1997


Metteur en scène:
Thommie Walsh • Frank Hauser •  
Chorégraphe:
Thommie Walsh •  
Avec:

Jan Hartley (Wallis Simpson), Clive Carter (Edward VIII), Shani Wallis (Aunt Bessie), David McAlister (Ernest Simpson), James Home (Stanley Baldwin), Ursula Smith (Queen Mary), Chris Humphreys (Lord Mountbatten), Buster Skeggs (Lady Colefax), Helen Anker (Lady Furness) , Sheila Ferguson (Analise L ’Avender) 

Commentaire:

Unfortunately the end result was not a great love story. It was a mish-mash of confused scenes, skimpy characterisation, lacking any sense of period and history, and prone every so often to throw in a musical sequence, including one spectacularly over-blown fairground nightmare sequence with chorus boys dressed as carousel horses. The critics had a field day describing “Always” as “Briefly”, and it was said that backstage the cast themselves referred to the show as “Wallis and Vomit”. It closed after seven weeks, with huge losses.  (plus) 

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Jolson the musical (Original)
Joué durant  1 an 4 mois 4 semaines

Première preview: sam 21 octobre 1995
Première: jeu 26 octobre 1995
Dernière: sam 22 mars 1997


Metteur en scène:
Rob Bettinson •  
Chorégraphe:
Tudor Davies •  
Avec:

Brian Conley (Al Jolson), Sally Ann Triplett (Ruby Keeler), John Bennett (Louis Epstein), John Conroy (Frankie Holmes), Brian Greene (Lee Shubert), Gareth Williams (Harry Cohn), David Bacon (Sam Warner) 

Commentaire:

This was a complete triumph for Brian Conley, and there was much praise for Sally Ann Triplett in her first major West End role. There was one number in black-face, potentially controversial, though ironically in the same theatre where the Black & White Minstrels had reigned for some ten years!  (plus) 

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Buddy (Original)
Joué durant  5 ans 11 mois 3 semaines

Première preview: Inconnu
Première: jeu 12 octobre 1989
Dernière: sam 30 septembre 1995


Metteur en scène:
Rob Bettinson •  
Chorégraphe:
Aucun •  
Avec:

Paul Hip {Buddy Holly), Gareth Marks (Big Bopper), Enzo Squillino Jr (Ritchie Valens), David Howarth, David Bardsley, Loma Lee, Bo Light, Billy Geraghty, Paul Case, Graham Brand 

Commentaire:

With its initial 12 year run in the West End, this became one of the longest-running shows (and would later be revived in 2007 for a further 18 months) whilst in-between times it toured non-stop through the UK.
Its Broadway production in 1990 ran for just 225 performances.
It was originally conceived by Laurie Mansfield and Paul Elliot with support from Paul McCartney (who owned the copyrights to Buddy Holly's music) Paul McCartney objected to many inaccuracies in 1978 film version of Buddy Holly’s life and was happy to support a show which told a truer story.  (plus) 

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Brigadoon (Revival)
Joué durant  9 mois 2 semaines

Première preview: Inconnu
Première: mar 25 octobre 1988
Dernière: sam 05 août 1989


Metteur en scène:
Roger Redfarn •  
Chorégraphe:
Agnès de Mille • Tommy Shaw •  
Avec:

Robert Meadmore (Tommy Albright), Robin Nedwell (Jeff Douglas), Jacinta Mulcahy (Fiona MacLaren), Lesley Mackie (Meg Brockie), Maurice Clarke (Charlie), lan MacKenzie Stewart (Harry) 

Commentaire:

The original Broadway production was in March 1947 and ran for 581 performances. The London premiere was at His Majesty’s Theatre, April 14th 1949 and ran even longer than in New York - for 685 performances with Philip Hanna, Patricia Hughes and Noele Gordon.  (plus) 

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Winnie (Original)   
Joué durant  

  (63 représentations)

Première preview: Inconnu
Première: mar 31 mai 1988
Dernière: Inconnu


Metteur en scène:
Albert Marre •  
Chorégraphe:
 
Avec:

Robert Hardy (Jack Craven), Virginia McKenna (Stella McKay), Carl Duering (Heinrich Kunz), Frank Thornton, Barry Howard, Larry Drew, Charles West, Don Fellows, Toni Palmer. 

Commentaire:

It was a most peculiar mish-mash of wartime nostalgia, patriotism, send-up and music-hall type numbers, and some kind of “message” in the show’s ending, when they learn that Churchill has actually lost the election. Most critics did not know what to make of it, but those that did claimed it was appalling and a complete disaster.
The show went into liquidation with reports of £135,000 owed to unpaid creditors, £60,000 owed in VAT, and £1.5 million lost to its 76 investors.  (plus) 

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High Society (Revival)
Joué durant  10 mois 3 semaines

  (420 représentations)

Première preview: Inconnu
Première: mer 25 février 1987
Dernière: sam 16 janvier 1988


Metteur en scène:
Richard Eyre •  
Chorégraphe:
 
Avec:

True Love, Who Wants to Be a Millionaire?, Now You Has Jazz, Samantha, (and interpolated from earlier Cole Porter Shows: I’ll Black Your Eyes, Hey Good Lookin’, In the Still of the Night) 

Commentaire:

Based on “The Philadelphia Story” by Philip Barry and the MGM film “High Society”. There was heavy criticism for the casting of non-singers -Natasha Richardson, Trevor Eve and Stephen Rea - in a musical, and for a number of occasions when the cast were obviously miming to pre-recorded tracks. (On August 10th major cast changes had Patrick Ryecart, Steven Pacey and the American Julie Osburn replacing the three main leads). The scenery was heavy, clunky and impractical and the production rather over-blown with an onstage orchestra being trucked forward, backwards and sideways in Wurlitzer juke-box shaped bandstands.  (plus) 

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Charlie Girl (Revival)
Joué durant  8 mois

  (234 représentations)

Première preview: Inconnu
Première: jeu 19 juin 1986
Dernière: mer 18 février 1987


Metteur en scène:
Stewart Trotter •  
Chorégraphe:
Onna White • Mike Fields •  
Avec:

Cyd Charisse (Lady Hadwell), Paul Nicholas (Joe Studholme), Nicholas Parsons (Nicholas Wainwright), Lisa Hull (Charlie), Dora Bryan (Kay Connor), Mark Wynter (Jack Connor). 

Commentaire:

  

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Barnum (Revival)
Joué durant  1 an 1 mois 1 semaine

Première preview: Inconnu
Première: jeu 14 mars 1985
Dernière: sam 26 avril 1986


Metteur en scène:
Peter Coe •  
Chorégraphe:
Buddy Schwab •  
Avec:

Michael Crawford (P.T.Barnum), Eileen Battye (Charity Bar num), Michael Heath (Ringmaster), Paul Miller (Tom Thumb), Christina Collier (Jenny Lind), Peter & Sue Barbour, Graham Fawcett, Debbie Steel 

Commentaire:

  

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Call Me Madam (Revival)
Joué durant  2 mois

Première preview: Inconnu
Première: lun 14 mars 1983
Dernière: sam 14 mai 1983


Metteur en scène:
Roger Redfarn •  
Chorégraphe:
Tudor Davies •  
Avec:

Noele Gordon (Sally Adams), Basil Hoskins (Cosmo), William Relton (Ken Gibson), Veronica Page (Princess Maria), Christopher Marlowe, David Alder, Bruce Morrison 

Commentaire:

  

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Windy City (Original)
Joué durant  7 mois 1 semaine

  (250 représentations)

Première preview: Inconnu
Première: mar 20 juillet 1982
Dernière: sam 26 février 1983


Metteur en scène:
Peter Wood •  
Chorégraphe:
 
Avec:

Dennis Waterman (Hildy Johnson), Anton Rodgers (Walter Burns), Diane Langton (Mollie Malloy), Amanda Redman (Esther Stone), Robert Longden (Earl Williams), Victor Spinetti, Shaun Curry, David Sinclair 

Commentaire:

Based on the play “The Front Page” by Ben Hecht and Charles MacArthur  (plus) 

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Annie (Original London)
Joué durant  3 ans 7 mois

  (1485 représentations)

Première preview: Inconnu
Première: mer 03 mai 1978
Dernière: sam 28 novembre 1981


Metteur en scène:
Martin Charnin •  
Chorégraphe:
Peter Gennaro •  
Avec:

Andrea McArdle (Annie), Sheila Hancock (Miss Hannigan), Stratford Johns (Oliver War bucks), Judith Paris (Grace Farrell), Kenneth Nelson (Rooster), Clovissa Newcombe (Lily), Damon Sanders (President Roosevelt) 

Commentaire:

The musical premiered in the West End at the Victoria Palace Theatre on 3 May 1978. Though Andrea McArdle played the title role for 40 performances, British 12-year-old Ann Marie Gwatkin was also cast in the title role and appeared on the Original London cast recording. She alternated with Christine Hyland and five other Annies were cast at this point: Anne O'Rourke, Tracy Taylor, Jacinta Whyte, Helen Thorne and Gillian White, who were all to play the role over the next three years. Miss Hannigan was originally played by Sheila Hancock, and later by Maria Charles and Stella Moray; Daddy Warbucks was played by Stratford Johns and later by Charles West, with Deborah Clarke playing Pepper. Annie closed on 28 November 1981, after 1485 performances.  (plus) 

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Love Racket (The) (Original)
Joué durant  

Première preview: jeu 21 octobre 1943
Première: jeu 21 octobre 1943
Dernière: Inconnu


Metteur en scène:
William Mollison •  
Chorégraphe:
Freddie Carpenter •  
Avec:

Harry Milton (Johnnie Stanton), Carol Raye (Jane Denver), Roy Royston (Jimmie), Valerie Tandy (Minnie), Arthur Askey (Tony Merrick), Peggy Carlisle (Bonnie), Finlay Currie (Samuel T. Kelly), Hugh Morton (The Stranger) 

Commentaire:

Se jouera au Victoria Palace Theatre, au Princes Theatre puis à l'Adelphi Theatre.  (plus) 

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Me and My Girl (Original)   
Joué durant  

  (1646 représentations)

Première preview: Inconnu
Première: jeu 16 décembre 1937
Dernière: Inconnu


Metteur en scène:
 
Chorégraphe:
 
Avec:

 

Commentaire:

  

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